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Arch-cittern

"Back of two pieces of sycamore. Belly with a paper rose. The purfling resembles that on 11/12 [arch-cittern by Sébastien Renaut, Museum no.: 207-1882: i.e. "barber's pole purfling of ebony and mother of pearl"] and the sides of the body are singularly concave. Ebony fingerboard with seventeen frets. Pegboxes, number of strings, and oblique upper nut similar to 11/12 [i.e. "The main pegbox has eleven [tuning pegs], for four double courses and three single. The upper pegbox has five for five single basses, and has an oblique nut."] - Anthony Baines: Catalogue of Musical Instruments in the Victoria and Albert Museum - Part II: Non-keyboard instruments (London, 1998), pp. 53-54.

  • Date:
    1775 - 1785 (Made)
  • Maker:
    unknown
  • Collection:
    Victoria and Albert Museum
  • Inventory number:
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  • Place of production:
    France
  • Culture:
  • Period:
  • Materials:Planed and joined sycamore back and sides, with ebony stringing; planed, joined pine soundboard, purfled (bordered) with ebony and mother-of-pearl; turned ebony tuning pegs with ivory studs, plained ebony fingerboard with brass frets.
  • Specific materials/techniques:
  • Decorative elements:
  • Inscriptions:
  • Hornbostel-Sachs category:
  • Repository:Victoria and Albert Museum
  • Measurements:Length: 115 cm total length, Length: 43 cm length of belly, Length: 88 cm maximum string length, Width: 33 cm, Depth: 11 cm, Length: 49 cm minimum string length